Frost/Nixon
Director Ron Howard’s film version of Peter Morgan’s play Frost/Nixon effectively captures the original stage performances of both Michael Sheen, as maverick reporter David Frost and Frank Langella, as ostracised former US President Richard Nixon.
The drama cleverly explores the foibles of both leading characters as they meet head to head for a series of intimate televised interviews. David Frost, the Cambridge University graduate turned media wunderkind whose ground breaking satirical show That Was The Week That Was (or TW3 for short) launched his television career making him a house hold name in Britain and quickly extended his fame across the Atlantic where he presented the more conventional David Frost Show, is now globetrotting with progressively pap programmes like Frost Over Australia and determined to prove that he still has what it takes to be a serious journalist capable of obtaining the ever elusive scoop.
Richard Nixon, having the dubious honour of being the only President to resign from office, is out in the political wilderness negotiating deals for his upcoming memoirs through the notorious wily Hollywood literary agent Irving “Swifty” Lazar (Toby Jones) who gets wind of Frost’s desire for an exclusive, candid, one-to-one, filmed interview and tables a meeting for the two men to agree terms. Lazar persuades Nixon that Frost, who has the reputation of being a bit of a light-weight only used to sucking up to celebrities, would be the perfect person to go up against as he’ll have no problem controlling the conversation and steering clear of more sensitive topics such as the war in Vietnam and the Watergate scandal.
Both sides assemble teams of researchers to second guess the questions and prepare the answers; Frost has the partnership of Bob Zelnick (Oliver Platt) and James Reston Jr. (Sam Rockwell) seasoned investigative journalists in the mode of Woodward and Bernstein, who are set on exacting a confession from the President who they believe escaped justice. Nixon has his current Chief of Staff, the former Marine Colonel, Jack Brennan (Kevin Bacon) who perceives the frothy Frost to be of little threat and is confident he can pull off a media coup with military precision.
In the first two of three planned recording sessions Frost seems flummoxed by Nixon’s effortless ability to evade the prepared questions and ramble at length on trivial, autobiographical reminiscences; so much so that Reston lambasts Frost for not being able to ask the “difficult questions” tapping into his biggest fear that he really isn’t up to the job. Nixon admits to Frost in a late night drunken phone call before the last interview that despite feeling a kinship to him through both coming from what he calls “humble beginnings” that he intends to emerge from the process as the victor. This spurs Frost on to remove the kid gloves in their final bout and tackle the issue of culpability over Watergate head on, to which Nixon concedes and comes as close as he ever did to issuing an apology to the American people who voted for him.
Director Ron Howard fully aware of the piece’s theatrical roots builds the tension between the two men very tightly and keeps it from flagging, at times approaching the pacing of the cuts almost like a boxing match. Michael Sheen and Frank Langella’s performances are central to the film’s success and they’re reinforced by the talented supporting cast of familiar faces. The Universal Studio Blu-ray release benefits from a pristine 1080p/VC-1 transfer in the original 2.35:1 aspect ratio with a remarkable level of detail, contrasting the rich 1970s period design with black and white archive footage. The DTS-HD 5.1 soundtrack more than adequately captures all of the dialogue crisply and is complimented by Hans Zimmer’s percussive score which heightens the suspense.
The most notable extra is a picture-in-picture documentary that charts the making of the film which runs almost constantly through its duration. There is also an audio commentary from Ron Howard who is an affable and enthusiastic communicator and he gives a broad insight into the history that lies behind the story. Frost/Nixon is an accomplished movie which throws a new light onto both its title characters who ultimately recognise and respect each other’s strengths and weaknesses.
